Roger Hilton Paintings for Sale1911-1975

Available
  • Untitled, June
    Roger Hilton
    Untitled, June, 1968
    oil and charcoal on canvas
    63.5 x 63.5 cm
    25 x 25 in
  • Oct '64
    Roger Hilton
    Oct '64, 1964
    oil on canvas
    76.2 x 91.4 cm
    30 x 36 in
  • April
    Roger Hilton
    April, 1968
    oil on canvas
    50.8 x 61 cm
    20 x 24 in
  • Untitled
    Roger Hilton
    Untitled, 1970s circa
    gouache and charcoal on grey Canson
    51.1 x 76.8 cm
    20 1/8 x 30 1/4 in
  • Dear M. Visser
    Roger Hilton
    Dear M. Visser, 1953
    gouache on board
    29.7 x 40 cm
    11 3/4 x 15 3/4 in
  • Antibes
    Roger Hilton
    Antibes, 1974
    gouache and charcoal on Canson C A Grain
    19 3/4 x 25 1/4 in
    50 x 64 cm
  • Untitled (Circus Horse)
    Roger Hilton
    Untitled (Circus Horse), 1975
    gouache and charcoal
    48.9 x 25.4 cm
    19 1/4 x 10 in (shaped)
    Framed Dimensions: 46 x 56.5 cm
  • Untitled
    Roger Hilton
    Untitled, 1974
    gouache and charcoal on board
    31.1 x 45.7 cm
    12 1/4 x 18 in
  • Untitled (Green)
    Roger Hilton
    Untitled (Green), 1974
    gouache
    69.8 x 29.2 cm
    27 1/2 x 11 1/2 in
    Reserved
  • Untitled
    Roger Hilton
    Untitled, 1974
    gouache and charcoal
    12 5/8 x 18 1/2 in
    32 x 47 cm
  • Untitled (Boats at Sea)
    Roger Hilton
    Untitled (Boats at Sea), 1974
    gouache
    33 x 46.4 cm
    13 x 18 1/4 in
  • Untitled
    Roger Hilton
    Untitled, 1974
    gouache, pastel and charcoal on buff paper
    31 x 38.3 cm
    12 1/4 x 15 1/8 in
  • Untitled
    Roger Hilton
    Untitled, 1973
    gouache and charcoal
    24.8 x 40.6 cm
    9 3/4 x 16 in
  • Untitled (Red Arcs)
    Roger Hilton
    Untitled (Red Arcs), 1973
    gouache and charcoal on buff paper
    28.6 x 40 cm
    11 1/4 x 15 3/4 in
  • Untitled (Blue and Red)
    Roger Hilton
    Untitled (Blue and Red), 1974
    gouache and charcoal
    35.6 x 30.5 cm
    14 x 12 in
  • Untitled (Head)
    Roger Hilton
    Untitled (Head), 1950s circa
    charcoal and pastel on buff card
    22.9 x 17.8 cm
    9 x 7 in
    £ 5,950.00
  • Untitled (Orange Sun)
    Roger Hilton
    Untitled (Orange Sun), 1975
    gouache
    40.6 x 31.8 cm
    16 x 12 1/2 in
  • Untitled (Abstract Form)
    Roger Hilton
    Untitled (Abstract Form)
    charcoal
    25.4 x 20.3 cm
    10 x 8 in
    Roger Hilton, Untitled (Abstract Form)
    £ 4,250.00
  • Untitled (Abstract Composition)
    Roger Hilton
    Untitled (Abstract Composition)
    charcoal
    20.3 x 25.4 cm
    8 x 10 in
    Roger Hilton, Untitled (Abstract Composition)
    £ 4,000.00
  • Untitled (Horse)
    Roger Hilton
    Untitled (Horse), 1960s, circa
    charcoal
    20.3 x 25.4 cm
    8 x 10 in
    Roger Hilton, Untitled (Horse), 1960s, circa
    £ 3,850.00
Biography

Roger Hilton was a British painter.

 

Hilton studied at the Slade School of Fine Art from 1929 to 1931. During World War II he served with the commandos (1940-42), was captured during the raid on Dieppe and spent three years as a prisoner of war. From 1950 to 1952 Hilton turned from his early figurative painting to a form of abstraction. Around 1956 Hilton began to be compared with the Abstract Expressionists.


In many of the paintings from this period, Hilton's initial inspiration was derived from the rhythms and colours of the natural world. This has generally been interpreted as a mark of his association with the St Ives artists.


By the late 1950s, Hilton was speaking of his wish to 'reinvent figuration'. The imagery that had consistently featured in his drawing-books emerged sporadically in his works of the 1960s, and finally in the works on paper that Hilton began to produce in 1970 when he was bedridden with a muscular disease.


Hilton returned to the childlike subjects that had characterised his early work: animals, boats, a horse and cart and nudes. Dreams of sensual (often sexual) pleasure co-exist with worries concerning impotence, ill-health and approaching death. Images of stasis and spiritual voyaging abound. Memory, observation and the simple joy of making marks constitute a complex variety of impulses behind these late works, in which Hilton retrieved a childlike freshness of vision, but one marked by a lifetime's experience.

 

The work of Roger Hilton is included in the collection of the Yale Center for British Art.