Stephanie Richards British, b. 1978
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Stephanie RichardsDaisies In Matcha Bowl, 2026oil on canvas51.5 x 40.5 cm
20 1/4 x 16 inStephanie Richards, Daisies In Matcha Bowl, 2026£ 2,950.00 -
Stephanie RichardsPelargoniums, 2024oil on board35 x 30 cm
13 3/4 x 11 3/4 inStephanie Richards, Pelargoniums, 2024£ 2,100.00 -
Stephanie RichardsOxalis & Yellow Cloth, 2026oil on board24.5 x 30.5 cm
9 5/8 x 12 inStephanie Richards, Oxalis & Yellow Cloth, 2026£ 1,950.00 -
Stephanie RichardsCornflower Blue, 2026oil on board32 x 30 cm
12 5/8 x 11 3/4 inStephanie Richards, Cornflower Blue, 2026£ 1,950.00 -
Stephanie RichardsDaisies, 2026oil on board30 x 29.5 cm
11 3/4 x 11 5/8 inStephanie Richards, Daisies, 2026£ 1,950.00 -
Stephanie RichardsButtercups in Delft, 2026oil on board25 x 29.6 cm
9 7/8 x 11 5/8 inStephanie Richards, Buttercups in Delft, 2026£ 1,950.00 -
Stephanie RichardsForget-me-nots, 2025oil on board30 x 30.5 cm
11 3/4 x 12 inStephanie Richards, Forget-me-nots, 2025£ 1,950.00 -
Stephanie RichardsJo Mossman’s Eggcup, 2024oil on board30 x 36 cm
11 3/4 x 14 1/8 inStephanie Richards, Jo Mossman’s Eggcup, 2024£ 1,950.00 -
Stephanie RichardsTea bowl with Buttercup Cloth, 2024oil on canvas laid on board29.2 x 29.3 cm
11 1/2 x 11 1/2 inStephanie Richards, Tea bowl with Buttercup Cloth, 2024£ 1,950.00 -
Stephanie RichardsFlax in Anagama Cup, 2024oil on board30.5 x 30 cm
12 x 11 3/4 inStephanie Richards, Flax in Anagama Cup, 2024£ 1,950.00 -
Stephanie RichardsCelandines, 2025oil on board21.5 x 27.2 cm
8 1/2 x 10 3/4 inStephanie Richards, Celandines, 2025£ 1,850.00 -
Stephanie RichardsSeersucker Cloth, 2024oil on board21 x 26 cm
8 1/4 x 10 1/4 inStephanie Richards, Seersucker Cloth, 2024£ 1,850.00 -
Stephanie RichardsOchre Stripes, 2025oil on board25 x 30 cmReserved
9 7/8 x 11 3/4 in
My works are composed of small-scale paintings, mostly still life. I prefer to paint intuitively, working directly onto the board and allow the paintings to evolve over time. From the confusion of colours, written word and shapes initially driven by my mood, location and sounds around me, the process continues with paring back, further mark-making and consideration until a feeling of serenity and balance is found.
The anchor in most my work is the flowers – often standing alone in simple vessels. Most are considered weeds, inspiration from our unkempt wild garden when at home in Cornwall. A hushed scream about the importance of each and every plant, individually significant yet so often removed. I hope to bring the contentment and peace I feel whilst immersed outside in nature, inside to the studio and into my paintings - bringing the outside inside.
