48 x 48 in
Writing in the preface to the Artist's important 1968 solo exhibition at Arthur Tooth and Sons, Edwin Mullins commented:
'suddenly formal compositions replaced genre, objects replaced people, an interior became a kind of laboratory, a cell, rather than a place to live in. Then there is the rich fuzz of paint which drags light gently into shadow across the surface of the canvas, picking up as it goes all sorts of echoes (after images) of those still-life objects clustered on the table below. Bottles, pots, jars, boxes, they have half-lost their identity until after a while the shadows between and around them become more positive shapes than they. Brooker's still-lifes acquire the anonymity of objects stared at so hard they shed their meaning, except the meaning they bestow on the space around them.'
(Edwin Mullins, ‘William Brooker, Paintings 1952-1968’, Arthur Tooth & Sons, London, 6-24 February 1968, p.1)
Provenanceacquired from the 1968 exhibition
ExhibitionsEdinburgh, Scottish Arts Council, David Hume Tower, '1st Edinburgh Open 100', August - September 1967, no.9;
London, Arthur Tooth & Sons, 'William Brooker: An Exhibition of Recent Paintings', 29 March to 22 April, 1967, no.11, illus.;
London, Arthur Tooth & Sons, 'William Brooker, Paintings 1952-1968', February 1968, no.24, illus.