Kim Lim Art for Sale1936-1997

Available
  • Intervals (Yellow)
    Kim Lim
    Intervals (Yellow), 1972
    45 x 45 cm
    17 3/4 x 17 3/4 in
  • Wind / Water Series IV
    Kim Lim
    Wind / Water Series IV, 1985
    37 x 37 cm
    14 5/8 x 14 5/8 in
  • IV
    Kim Lim
    IV, 1991
    36 x 32.5 cm
    14 1/8 x 12 3/4 in
    Kim Lim, IV, 1991
    £ 3,250.00
  • III
    Kim Lim
    III, 1991
    36 x 32.5 cm
    14 1/8 x 12 3/4 in
    Kim Lim, III, 1991
    £ 3,250.00
  • V
    Kim Lim
    V, 1991
    36 x 32.5 cm
    14 1/8 x 12 3/4 in
    Kim Lim, V, 1991
    £ 3,250.00
  • Shaded Grey
    Kim Lim
    Shaded Grey, 1993
    52.5 x 56 cm
    20 5/8 x 22 1/8 in
    Kim Lim, Shaded Grey, 1993
    £ 2,950.00
  • Dunghuang Series 4
    Kim Lim
    Dunghuang Series 4, 1988
    55 x 75 cm
    21 5/8 x 29 1/2 in
    Kim Lim, Dunghuang Series 4, 1988
    £ 2,500.00
  • Relief
    Kim Lim
    Relief, 1993
    51.3 x 76 cm
    20 1/4 x 29 7/8 in
    Kim Lim, Relief, 1993
    £ 2,350.00
  • Untitled (Sand Relief)
    Kim Lim
    Untitled (Sand Relief), 1993
    55.9 x 72.4 cm
    22 x 28 1/2 in
    Kim Lim, Untitled (Sand Relief), 1993
    £ 1,950.00
Biography

Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making.

On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery: things characterized by formal and decorative simplicity.

Kim Lim exhibited widely after leaving the Slade in 1960.From 1980, she turned to stone-carving, whilst continuing to make prints and fill sketchbooks with drawings from nature. With her husband, the sculptor and painter William Turnbull, she made journeys to China, Indonesia, Cambodia, Egypt, Malaysia and Turkey, always alert to art and nature alike, and with a sharp eye to human diversity.